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Uganda
Copyright and Neighbouring Rights Act
Chapter 222
- Published in Uganda Gazette 47 on 4 August 2006
- Assented to on 31 May 2006
- Commenced on 4 August 2006
- [This is the version of this document at 31 December 2023.]
- [Note: This legislation was revised and consolidated as at 31 December 2000 and 31 December 2023 by the Law Reform Commission of Uganda. All subsequent amendments have been researched and applied by Laws.Africa for ULII.]
Part I – Preliminary
1. Application of Act
This Act applies to any work, including work created or published before the commencement of this Act, which has not yet fallen into the public domain where the work is—2. Interpretation
In this Act, unless the context otherwise requires—“audiovisual fixation” means work consisting of a series of related images which impart the impression of motion, with or without accompanying sounds, susceptible of being made visible and where accompanied by sound, susceptible of being audible such as cinema, television or video films;“author” means the physical person who created or creates work protected under section 4 and includes a person or authority commissioning work or employing a person making work in the course of employment;“braille” means writing of the blind consisting of raised dots which are read by touching;“broadcast” has the same meaning assigned to it under the Uganda Communications Act;“broadcasting company” means a company which—(a)communicates or carries on transmission or broadcasts programmes of sound, video or data intended for simultaneous reception by the public;(b)provides or supplies audiovisual fixation rental communication or library services; or(c)provides services by wire or wireless means in such a way that members of the public access the fixation from a place and at a time individually chosen by them;“choreography” means steps and movements of a dance;“choreographic work” includes any form of dance or body movement communication whether in a dramatic form or not;“communication to the public” means the operation by which sounds or images or both sounds and images are transmitted to the public whether through broadcast, performance or other means and “public” excludes a family setting or function;“computer programme” means a set of instructions expressed in any language, code or notation, intended to cause the device having an information processing capacity to indicate, perform or achieve a particular function, task or result;“copy” means a production of a work in a written, recorded or fixation form or in any other material form, but an object shall not be taken to be a copy of an architectural work unless the object is a building or a model;“currency point” has the value assigned to it in Schedule 1 to this Act;“derivative work” means work resulting from adaptation, translation or other transformation of an original work but which constitutes an independent creation in itself;“economic rights” means the rights specified under section 8;“fixation” means the embodiment of images or sound or both images and sound in a material form sufficiently stable or permanent, to permit them to be perceived, reproduced or otherwise communicated through a device during a period of more than transitory duration;“literary work” includes—(a)novels, stories or poetic work;(b)plays, stage directions, audiovisual scenarios or broadcasting scripts;(c)textbooks, histories, biographies, essays or articles;(d)encyclopaedias, dictionaries, directories or anthologies;(e)letters, reports or memoranda;(f)lectures, addresses or sermons; and(g)any other work of literature;“Minister” means the Minister responsible for justice;“moral right” means the right to claim authorship or performance as is provided in sections 9 and 22;“moral rights information” means information which identifies the author of the work or performer, the title of the work, the producer of the sound recording or audiovisual fixation, the owner of any right in the work or information about the terms and conditions of use of the work;“neighbouring rights” include rights of performing artistes in their performances, rights of producers and music publishers and rights of broadcasting companies in their programmes and others as is provided under Part IV of this Act;“performance” means the presentation of a work by actions such as dancing, acting, playing, reciting, singing, delivering, declaiming or projecting to listeners or spectators;“performer” includes an actor or actress, singer, musician, dancer or other persons who act, sing, deliver, declaim, play in, interpret, or otherwise perform literary or artistic works or expressions of folklore;“producer” means a person who organises and finances the production of an audiovisual fixation or sound recording;“programme carrying signals” means electronically generated carriers transmitting live or recorded material consisting of images, sounds, or both images and sounds in their original form or any form recognisably derived from the original and emitted to or passing through a satellite situated in extra territorial space;“pseudonym” means the fictitious name adopted by an author;“publication” means the lawful reproduction of a work or of an audiovisual or audiovisual sound recording, fixation or of sound recording for availability to the public; and includes public performances and making available of a work on the internet;“published” means a work or sound recording, tangible copies of which have been made available to the public in a reasonable quantity for sale, rental, public lending or for other transfer of the ownership or the possession of the copies, provided that, in the case of work the making available to the public took place with the consent of the author or other owner of copyright, and in the case of a sound recording, with the consent in writing of the producer of the phonogram or his or her successor in title;“public performance” means a performance of work which is presented to listeners or spectators not restricted to specific persons belonging to a private group and which exceeds the limits or normal domestic representations;“public place” means any building, or conveyance to which for the time being the public are entitled or permitted to have access, with or without payment which may include cinema, concert, dance or video halls, bars, clubs, sports grounds, holiday resorts, circuses, restaurants, counter vehicles, banks or other commercial establishments;“Registrar” means the Registrar of Copyright appointed under section 40;“reproduction” means the making of one or more copies of a work or sound recording in any manner or form including any permanent or temporary storage of the work or sound recording in electronic form;“sound recording” means any exclusively aural fixation of sound in a material carrier such as a tape, disc or other similar material but does not include audiovisual work including sound.Part II – Copyright protection and rights
3. Author entitled to copyright protection
4. Work eligible for copyright
5. Ideas not protected
Ideas, concepts, procedures, methods or other things of a similar nature shall not be protected by copyright under this Act.6. Public benefit works not protected
7. Employed authors and works for government or international bodies
8. Economic rights of author
The owner of a protected work shall have, in relation to that work, the exclusive right to do or authorise other persons to do the following—9. Moral rights of author
10. Right of co-author
Where work is created by more than one person and no particular part of the work is identified to have been made by each person, such that the work is indistinguishable, all the authors shall be co-owners of the economic rights and the moral rights relating to that work and the co-owners shall have equal rights in that work.11. Fine art works to have inalienable right in proceeds of sale
Part III – Duration of copyright and authorised uses of protected works
12. Duration of copyright protection
13. Assignment of licence or transfer of copyright
14. Fair use of works protected by copyright
15. Ephemeral recording
16. Non-exclusive licence
17. Scope and condition of non-exclusive licence
18. Translation for broadcasting
19. Records of copyright centres
The Registrar shall keep up-to-date records of the copyright information centres for ease of reference or contact by the interested persons under sections 16, 17, 18 or other circumstance.Part IV – Neighbouring rights
20. Neighbouring rights and persons entitled
21. Rights of performer
22. Moral rights of performer
23. Action not authorised without specific provision in contract
Unless it is specifically provided in a contract, the authorisation to broadcast or communicate a performance does not imply—24. Authorisation in co-performance
Where two or more persons take part in the same performance as a group, authorisation for the use, broadcast or communication of the performance shall be given by the leader of the group or the legal representative of the group if any.25. Duration of protection of performer
The right of a performer under this Act shall be protected for fifty years from the date of the performance.26. Rights of director
A director of a performance, sound recording or audiovisual fixation has a right—27. Rights of producer
28. Duty to indicate moral right information
29. Notice of protection of producer’s rights
30. Remuneration for broadcasting
31. Rights of broadcasting company
32. Producers of programme carrying signals
A producer of a programme carrying signals transmitted through the point to point communication intellects shall have the right to authorise further transmission of the signal in Uganda or from its territory which right shall exist for fifty years from the date of publication of the programme.33. Limitation on neighbouring rights
The provisions of sections 23, 26, 27, 28, 29 and 32 shall not apply where the acts done are for—Part V – Contracts relating to exploitation rights of author
34. Contracts to be in writing
A contract relating to the exploitation of the rights of the author or the rights of the performer shall be in writing and signed or marked by the parties to the contract.35. Publishing contracts
36. Public performance contracts
37. Broadcasting contracts
38. Voidable contracts
A contract made under this Part which does not include any item specified in respect of the respective contract or any contract which contravenes a relevant provision of this Part is voidable.39. Remuneration payable to author
The remuneration to be paid to an author under this Part shall be that agreed upon by the parties in respect of—Part VI – Administration of copyright
40. Registrar of Copyright and other officers
41. Functions of Registrar
42. Registration of rights
43. Users of work to apply for licence
44. Civil remedies
45. Infringements of copyright
46. Offences and penalties
47. Infringement of neighbouring right
48. Offences by body of persons
49. Penalties and compensation
50. Proof of facts
An affidavit, affirmation or other oath made before a magistrate, commissioner for oaths or other person authorised to administer an oath or affirmation under the law of the country where the oath was made, which—51. Other inspectors
In addition to inspectors appointed under section 40, the Registrar may authorise any member from the Uganda Registration Services Bureau or any staff of a collecting society to perform the functions of an inspector under this Act.52. Entry into premises
Subject to the provisions of this section, an inspector may, at any reasonable time and on production of the certificate of authority enter any premises, ship, aircraft or vehicle for the purpose of ascertaining whether there is or has been, on or in connection with those premises, ship, aircraft or vehicle any contravention of this Act.53. Mode of inspection of premises
54. Inspectors not personally liable
An inspector shall not be personally liable in respect of any act done in good faith in the execution of any duty under this Act.55. Suspension of release by customs authorities
Part VII – Collecting societies
56. Collecting societies to be registered
57. Qualifications for registration
The Registrar may register as a collecting society any society or body which has for its main object the promotion of the economic and social interests of its members through defending their copyright and neighbouring right interests and whose function or other objects include any of the following—58. Conditions for registration
The Registrar shall not register a society unless—59. Application for registration
60. Registration of society on probation
61. Indication of probationary registration
A society which is registered on probation shall state in legible letters in all its receipts and letterheads, notices, advertisement or other official publications, that it is registered probationary and shall indicate the same on a signboard in a conspicuous position outside any premises or office in which it carries on its business.62. Cancellation of registration
63. Full registration of society
64. Qualification for membership of society
65. Address of society
66. Amendment of articles and rules of registered society
67. Act, etc. to be kept and list of members open for inspection
Every registered society shall keep a copy of this Act and of the regulations made under this Act and of its articles or rules and shall have a list of its members open to inspection by any person, free of charge, at all reasonable times during business hours at the office of the society.68. Voluntary amalgamation of societies
Financial and other matters
69. Audit, annual returns and accounts
70. Estimates and expenditure
71. Investment of funds
A registered society may invest or deposit its funds—72. Provident and benevolent fund
Supervision
73. Inspection
An employee, officer or a member of a collecting society shall, when required to do so by the Registrar or an inspector, produce for inspection any books, records or document in his or her control relating to the operations of the society.74. Ad hoc committee of inquiry
75. Cancellation of registration after inquiry or inspection
76. Cancellation of registration of collecting society
77. Appointment of liquidator
Part VIII – General
78. Settlement of disputes
A dispute regarding the operations of a registered society which arises—79. Remuneration of officers
80. Reciprocal protection
A copyright or neighbouring rights owner who is not a citizen or resident of Uganda shall be protected under this Act if the work was first published in a country which is—81. Regulations
82. Power to amend Schedule
History of this document
31 December 2023 this version
Chapter 222
Revised Laws 2023
Consolidation
04 August 2006
Commenced
31 May 2006
Assented to
31 December 2000
Consolidation